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‘D-Day crowd won’t be that of a Dhurandhar,’ says Nikkhil Advani | Bollywood News

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4 minutes of readingBombayFebruary 5, 2026 07:24 pm IST

Since the release of Aditya Dhar’s Dhurandhar, audiences have started revisiting Nikkhil Advani’s spy actioner D-Day. Released more than a decade ago, D-Day was a major box office disappointment at the time. However, in retrospect, the film has been steadily gaining appreciation, with many now recognizing it as ahead of its time, coming even before Neeraj Pandey launched his spy adventures with Akshay Kumar’s Baby, and Kabir Khan attempted similar ground with Saif Ali Khan’s Phantom. Back then, Advani achieved notable success in casting. in what is often considered his best work, bringing together Rishi Kapoor, Irrfan Khan, Arjun Rampal, Huma Qureshi, Aakash Dahiya and Chandan Roy Sanyal.

Now that Dhurandhar explores a similar genre, comparisons with D-Day have become inevitable. There have even been calls on social media for a re-release of the cult classic. In an exclusive conversation with SCREEN, Advani spoke about comparisons with Ranveer Singh’s blockbuster, one he admits he hasn’t seen yet. “I think the best thing about Dhurandhar is that it is a very innovative film. The music is innovative. I think Aditya Dhar’s voice in the film is extremely strong and powerful. And I think D-Day will find the audience that it didn’t find back then, but I don’t know if it would be the audience for Dhurandhar, which has grossed over a billion rupees at the box office,” he said.

‘I want to play the hero of your film’: Rishi Kapoor

Talking more about D-Day, Nikkhil Advani reflected on his work with Rishi Kapoor and revealed how the veteran actor came to be cast in the film. He shared that Kapoor was not his first choice for the Dawood Ibrahim-inspired role, which eventually became one of the most memorable performances of the actor’s career. Initially, Advani had approached him for the role later played by Nassar. “I came to him to play the role of Nasir Hussain. So he and I have a very close relationship. We had done Patiala House together. My building and his bungalow shared a wall in Pali Hill, so I spent a lot of time with him.”

Dhurandhar Nikkhil Advani recalled that he had briefly considered Arshad Warsi to play the role of Dawood Ibrahim in D-Day.

Advani remembers the moment when he informed Kapoor that it was a supporting role. “I went to narrate him and he told me that this is a very good story. But he got angry with me and said, ‘Yaar, I am not Jon Voight, I am not like Gene Hackman. Give me a suitable role. I want to play the hero of your film’. Then he showed me a photograph of Rauf Lala, the character he played in Agneepath. I went home. In the morning I woke up and said, ‘Chintu sir, you are right’. You play Dawood.”

So read | ‘Your home Oscar-winning actor…’: ‘Frustrated’ Rishi Kapoor scolded Irrfan Khan on D-Day sets, recalls Nikkhil Advani

Watch the Cult Comebacks episode on D-Day here:

In the same conversation, Nikkhil Advani also revealed that before finalizing Rishi Kapoor, he had briefly considered Arshad Warsi for the role. “I think I had a brief conversation, very brief, with Arshad Warsi. I think we had gone to a party somewhere in Juhu. We were both sitting and I told him that I was thinking about this and that I really wanted to cast an out-of-character actor for the role. He said, ‘I’ll do it. I don’t mind doing the test. I don’t mind doing a look test.’ So I think the only person I spoke to for this role was Arshad Warsi. He would have been fabulous.”

Advani also spoke about how, in his opinion, the industry is yet to fully tap Warsi’s potential. “And Abhishek Chaubey had used him in Ishqiya. And I love Arshad, we are close friends. I know what he is capable of. Unfortunately, he was cast as a comedian, but it would have been amazing.”

Anas Arif is a prolific entertainment journalist and film analyst at The Indian Express, where he specializes in the intersection of Indian pop culture, arthouse cinema and industrial ethics. His writing is defined by a deep-rooted commitment to documenting the changing landscape of Indian entertainment through the lens of critical theory and narrative authorship. Experience and Career As a senior member of The Indian Express’ entertainment vertical, Anas has cultivated a unique beat that prioritizes the ‘art behind celebrity’. He has interviewed a wide spectrum of industry veterans, from blockbuster directors like Vijay Krishna Acharya, Sujoy Ghosh, Maneesh Sharma to experimental filmmakers and screenwriters like Anurag Kashyap, Vikramaditya Motwane, Varun Grover, Rajat Kapoor, among many others. His career is characterized by a “Journalism of Courage” approach, where he frequently addresses the ethical implications of mainstream cinema and the sociopolitical subtext within popular media. He is also the host of the YouTube series Cult Comebacks, where he talks to filmmakers about films that may not have been successful initially but have, over time, gained a cult following. The program aims to explore films as works of art, rather than mere commercial projects designed to generate box office revenue. Areas of Specialization and Focus Anas’ expertise lies in his ability to deconstruct cinematic works beyond superficial reviews. His areas of focus include: Auteur Studies: detailed retrospectives and analyzes of filmmakers such as Imtiaz Ali, Anurag Kashyap and Neeraj Ghaywan, often exploring their core philosophies and creative evolutions. Film Deconstruction: Examining technical and narrative choices, such as the use of proportions in independent films (Sabar Bonda) or the structural rhythm of iconic soundtracks (Dilwale Dulhania Le Jayenge). Industrial and Social Ethics: Fearless criticism of commercial blockbusters, particularly as they relate to the promotion of bigoted views or the marginalization of communities in mainstream scripts. Exclusive full-length interviews: Conducting high-level dialogues with actors and creators to discover archival anecdotes and future industry perspectives. Authority and Trust Anas Arif has established himself as a trusted voice by steadily moving away from standard PR-driven journalism. Whether he is questioning the “Shah Rukh Khan mythology” in modern sequels or providing a space for independent filmmakers to discuss the “arithmetic of karma”, his work is based on objectivity and thorough research. Readers look to Anas for an educated point of view that treats entertainment not just as a commodity, but as a critical reflection of the country’s collective conscience. …Read more

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