HomeEntertainment'Your home Oscar-winning actor...': 'Frustrated' Rishi Kapoor scolded Irrfan Khan on D-Day...

‘Your home Oscar-winning actor…’: ‘Frustrated’ Rishi Kapoor scolded Irrfan Khan on D-Day sets, recalls Nikkhil Advani | Bollywood News

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3 minutes of readingBombayFebruary 3, 2026 06:05 pm IST

No one can forget the tragedy and uncertainty that the early days of the pandemic brought, and that sense of shock was almost doubled in late April, when two film industry veterans died within a day of each other: Irrfan Khan and Rishi Kapoor. The trauma was collective for the nation, as well as intensely personal for their loved ones. Fortunately, both of them had shared a screen once in Nikkhil Advani’s spy action film D-Day, released in 2013, where they delivered performances at the top of their craft. In fact, when they died, a photo of them from D-Day went viral on the Internet.

Recently, in an exclusive conversation with SCREEN, Advani reflected on how both the actors effortlessly bonded on the sets of the film. “The two hit it off instantly. Rishi Kapoor loved the chicken that Irrfan made, who really loved cooking, and they bonded very well when we were filming in the Rann of Kutch area.” However, Advani also said that they came from very different schools of acting. Irrfan loved to improvise, while Rishi was particular about sticking to his lines. Interestingly, this sometimes created friction, with Rishi occasionally getting frustrated with Irrfan’s improvisations.

“Irrfan had just come back from Ang Lee’s Life of Pi and he likes to improvise. He doesn’t like repeating the same thing over and over again because he’d think, ‘So what’s the point of doing another take?’ And Rishi Kapoor was the kind of person who would say: ‘Hit the target, yaar. Say the line, even line aaha. Your Oscar-winning actor home par bas mujhe bata dein ki your last words kaunse use karega? I’ve got my signal, I’m waiting for my signal.’ (Hit the mark. Say the line. You may be an Oscar-winning actor, but tell me what last words you’ll use. I’ve got my cue, I’m waiting for it.) He was in that old school brigade, so it was pretty fun to watch. “They were from different schools, but they really respected and admired each other during that week they filmed together.”

So read | ‘Sooraj Dooba Hai earned Rs 70, I didn’t get anything’: Amaal Mallik on music industry battles, losing 45 films in 5 years for ‘speaking out’

Watch the Cult Comebacks episode on D-Day here:

In the same conversation, Advani also reflected on how D-Day has found its fan base over time, even though it initially struggled at the box office. “Over the years, people text me saying it was brilliant, that it was the film that made me a filmmaker. But it was disheartening on the first day when it released for just Rs 1.75 crore, and I thought, ‘What the hell happened?'”

Anas Arif is a prolific entertainment journalist and film analyst at The Indian Express, where he specializes in the intersection of Indian pop culture, arthouse cinema and industrial ethics. His writing is defined by a deep-rooted commitment to documenting the changing landscape of Indian entertainment through the lens of critical theory and narrative authorship. Experience and Career As a senior member of The Indian Express’ entertainment vertical, Anas has cultivated a unique beat that prioritizes the ‘art behind celebrity’. He has interviewed a wide spectrum of industry veterans, from blockbuster directors like Vijay Krishna Acharya, Sujoy Ghosh, Maneesh Sharma to experimental filmmakers and screenwriters like Anurag Kashyap, Vikramaditya Motwane, Varun Grover, Rajat Kapoor, among many others. His career is characterized by a “Journalism of Courage” approach, where he frequently addresses the ethical implications of mainstream cinema and the sociopolitical subtext within popular media. He is also the host of the YouTube series Cult Comebacks, where he talks to filmmakers about films that may not have been successful initially but have, over time, gained a cult following. The program aims to explore films as works of art, rather than mere commercial projects designed to generate box office revenue. Areas of Specialization and Focus Anas’ expertise lies in his ability to deconstruct cinematic works beyond superficial reviews. His areas of focus include: Auteur Studies: detailed retrospectives and analyzes of filmmakers such as Imtiaz Ali, Anurag Kashyap and Neeraj Ghaywan, often exploring their core philosophies and creative evolutions. Film Deconstruction: Examining technical and narrative choices, such as the use of proportions in independent films (Sabar Bonda) or the structural rhythm of iconic soundtracks (Dilwale Dulhania Le Jayenge). Industrial and Social Ethics: Fearless criticism of commercial blockbusters, particularly as they relate to the promotion of bigoted views or the marginalization of communities in mainstream scripts. Exclusive full-length interviews: Conducting high-level dialogues with actors and creators to discover archival anecdotes and future industry perspectives. Authority and Trust Anas Arif has established himself as a trusted voice by steadily moving away from standard PR-driven journalism. Whether he is questioning the “Shah Rukh Khan mythology” in modern sequels or providing a space for independent filmmakers to discuss the “arithmetic of karma”, his work is based on objectivity and thorough research. Readers look to Anas for an educated point of view that treats entertainment not only as a commodity, but as a critical reflection of the country’s collective conscience. …Read more

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